The London designer talks through her creative journey – how early experiments and Tumblr threads morphed into tactile 3D worlds for forward-thinking fashion brands.

London-based designer Chris Chapman, formerly creative director at Adam&Eve, centred the water kefir’s colourful packaging around ‘the mother’ in homage to the drink’s ‘mother culture’.

The transatlantic foundry’s latest publication is itself a surprisingly brilliant fusion of two very different briefs.

The perpetual collector’s influences bounce from tattoo artists and graphic designers using Helvetica, to Etruscan drawings, ...

2024: A rollercoaster year where great creativity and storytelling triumphed. This year has seen the creative world face some of its biggest challenges yet, but – as we’ve learned over the years – we ...

It’s no secret that the characterful brand mascot has become a dying breed in 2024. At this year’s Super Bowl – essentially the World Cup for ad campaigns – mascot-led commercials were almost ...

Analysing some of the best and most popular brand design work of this year, It’s Nice That and Frontify find common themes of nostalgia, bravery and a lot of humanity. Frontify is one of the world’s ...

Uncover why brand mascots are being killed off, and whether their near-extinction is good for business.

Joe Zadeh is a journalist, editor, copywriter and sub-editor based in Newcastle, UK. Publications include Noema Magazine, The Guardian, VICE, Rolling Stone and many more.

Qingyu Wu’s nostalgic design is inspired by objects of the past, from mid-century chairs to hi-fi systems ...

We speak to the team at UsTwo Games about the anticipated threequel, a captivating puzzle game which pushes the boundaries of its much-loved visual universe, and makes nature “a main character”. The ...

The recent launch from the Australian independent type studio, run by designer and art director Joseph Dennis, marries retro-futuristic design, narrative storytelling and illustration. It was whilst ...