“Orphism in Paris, 1910-1930” struggles to convincingly support the thesis that it was a cohesive movement but does serve as a poignant reminder that art once sought to engage more deeply with the ...

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To match Jack Shainman Gallery’s new Beaux-Arts flagship, the artist known for his Soundsuits debuts a sculpture nearly 26 feet high. By Will Heinrich “Pictures of Belonging” traces the ...