Your final tQ subscriber download of the year comes from none other than our albums of the year chart toppers Ex-Easter ...

Sandwell District were the Crosby, Stills, Nash & Young of austere techno, appearing and disappearing in a haze of bad vibes, Berlin drugs, and imperious, hard-to-find releases. Kiran Sande offers a ...

Was there ever a style of music as dripping with sentimentality as doo-wop? Originating among Black communities in major US cities in the late 1940s, doo-wop was, right from the very beginning, the ...

Between sunken chants and electronic rhythms, the Parisian duo crack open the future with a blunt industrial wedge ...

From his time working on classics like The Pop Group's Y, The Slits' Cut and Janet Kay's Silly Games, to the inspiration of Jimi Hendrix and The Beatles, Dennis Bovell takes Neil Kulkarni through his ...

Check out sets from Damo Suzuki & Mugstar, Future Of The Left and more at this year's WRONG Festival in Liverpool, as captured by IMPATV Liverpool's greatest new addition to the festival circuit is ...

When Einstürzende Neubauten formed in West Berlin 44 years ago, few would have predicted the speed-fuelled, metal-bashing industrial pioneers would be easing into their fifth decade by releasing their ...

The Cult will tour the UK next year and have released new material earlier this month. Our man John Robb spoke to singer Ian Astbury about the history of The Cult, working with Boris and how the ...

Different images of domestic interiority are explored at two London group shows: Room at Sadie Coles HQ and House Work at Victoria Miro ...

Violent Femmes’ self-titled debut is one of the most essential American indie rock records of the early 80s, but it’s not the only album by the band you must have in your collection, argues Cal Cashin ...

Chris Watson is the Sibelius of the tape recorder. Ahead of his appearance with Felicia Atkinson at Kings Place next month, Luke Turner speaks to him about twelve key points in his career from early ...