Ingmar Bergman’s classic 1966 film, “Persona,” begins with a grimly unsettling photomontage that includes the slaughter of lamb. It is accompanied by avant-garde Swedish composer Lars Johan Werle’s ...

It's good to be back at the radically transformed Riverside Studios by Hammersmith Bridge, my local, now a completely different building on the site of the old with doors on to the new walkway by the ...

Ingmar Bergman’s 1966 masterpiece is so brilliant it’s dangerous. It’s the only film that ever made me want to jump off a bridge (back when I saw it in college). Really. Watching it now on Criterion’s ...

As a young man, Ingmar Bergman possessed the kind of nondescript, level proportions of face that bear no markings of an uneven mien behind them. His cheeks and jowls were full, yet never exaggerated.

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. For being the centennial of Ingmar Bergman's birth, there seems to be very little ...

In a move that many people may describe as provocative, the Göteborg Film Festival has set Ingmar Bergman’s landmark arthouse drama Persona for an AI-assisted restoration. The Swedish festival has ...

Tony-winning Belgian director Ivo van Hove's Ingmar Bergman double bill, 'After the Rehearsal'/'Persona,' lands at London's Barbican. By Demetrios Matheou Ingmar Bergman had a thing about Vogler. The ...

A film festival unlike any other, Bergmanvecken (or Bergman Week), now in its fifth year in operation and its first incarnation since the death of the man at its center last July, is a celebration of ...

Noah Baumbach knew his tenth feature film, “Marriage Story,” would need a different visual language than his previous work. While writing the script, he envisioned using close-ups in a way he hadn’t ...

Adam Grinwald is a Feature Writer at Collider with a lifelong passion for cinema, literature, music, and culture. From the early days of memorizing practically every single line of dialogue off a ...