All products featured on Architectural Digest are independently selected by Architectural Digest editors. However, when you buy something through our retail links, Condé Nast may earn an affiliate ...

Push your creativity to the limit with a vintage lens. Tracy Calder speaks with three photographers who have embraced and ...

Pairing a vintage lens with a modern camera helps bring that older aesthetic to digital photography — and photographers with a flair for the vintage could soon have another lens to choose from. Two ...

There are few things as exciting for photographers as getting a new lens. Unfortunately, those metal-and-glass cylinders can get mighty pricey, especially if you want the latest and greatest models.

“Return of the mack.” — Randy Wedick, technical consultant at Band Pro Film and Digital and Emmy winning DP on the return of the Cooke uncoated speed Panchro design. Says it all really. The uncoated, ...

While some restrictions do exist — due to the changing of autofocus mechanisms, aperture adjustments transitioning from manual to automatic and shutter mechanism compatibility — most vintage Nikkor ...

Central sharpness is very good at f/2, excellent from f/2.8 to f/16 and good at f/22. The edges lag some way behind and are good at f/2 and f/2.8, very good at f/4 and f/5.6, good at f/8 and fair at f ...

Central sharpness starts off at a very good level from f/1.8 to f/2.8. It edges upwards to being excellent from f/4 to f/11 and is still very good at f/16. Unfortunately, the edges do not match this ...