The Harlem Renaissance was a period of intense artistic and social growth among black Americans. Cary Wintz's new book, Harlem Speaks, features work from some of the most famous names of that ...

In "Joy Goddess," journalist and historian A’Lelia Bundles brings to life a fascinating and misunderstood figure of the early 20th century. A’Lelia Walker was more than a glamorous socialite. She was ...

A'Lelia Bundles, author of "Joy Goddess" and ancestor to 1st Black female self-made millionaires in America, will talk ...

“The Bible of the Harlem Renaissance,” he said, is Alain Locke’s book, ‘The New Negro.’ Locke was a philosopher, author and “the godfather of the Harlem Renaissance.” ...

Johnson wrote and published the book anonymously in 1912. But during the Harlem Renaissance, he reprinted it with his name on the cover.

Many New Yorkers know about the Harlem Renaissance, but a new exhibit opening this fall explores a more unknown facet of the era—the Gay Harlem Renaissance. The New York Historical will host a new ...

If there ever was a gift that keeps on giving, it is the work of renowned Harlem Renaissance author and anthropologist Zora Neale Hurston. Hurston, who died in 1960 at the age of 69, published her ...

The author dedicated his new book to those "who choose to live their unapologetic truths despite a world that continues to try to dim their light." It's been a century since the artistic ...

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s installment tests your knowledge of novels, poems and memoirs by writers connected ...

Initially called the Negro Renaissance because its influences exceeded the boundaries of Harlem, the explosive era of black artistic, intellectual and social expression in the 1920s is vividly ...

“Bitter Root,” a monster-hunting comic book set in the Harlem Renaissance, began years ago as an unfinished idea between two longtime friends in South Carolina.

Johnson wrote and published the book anonymously in 1912. But during the Harlem Renaissance, he reprinted it with his name on the cover. “People felt more free,” Norwood said.