While Brigham Young (Kim Coates) succeeds in burning down Jim Bridger’s (Shea Whigham) beloved fort, Bridger survives the fire. In real life, Jim Bridger would head east to plea his case to the U.S. Government against Young. Fort Bridger would be resurrected as a key U.S. military base of operations and Bridger wouldn’t die until 1881.

However, it saps anything resembling wistfulness from its Hollywood Western roots, complicating its chances of cornering the post-Yellowstone market (alongside the latter's many spin-offs). What's left is the husk of a beloved genre,

Lights" creator Peter Berg makes the wild west look like hell on Earth in "American Primeval." There's some good between all the blood.

If you're looking for another western to watch these days, "American Primeval" is here to try and fill that gap. Now streaming on Netflix, the six-episode miniseries takes place in 1857, and is "a fictionalized dramatization and examination of the violent collision of culture,

In the catalog of the modern western, a lot of space is given to stories focused on what is assumed to have been the sheer miserableness of life on the frontier. Viscous carpets of mud. Frigid snowscapes. Scalpings. Rapes. The sibilant impact of arrows puncturing flesh.

Creator Mark L. Smith's six-episode examination of scruffy, vicious people traversing the Utah Territory in 1857 also stars Taylor Kitsch and Dane DeHaan.

While the story that unfolds on-screen took place in the 19th century Utah Territory – now Utah state – the show was filmed entirely in New Mexico, 600 miles to the south east.

In Netflix’s new limited series, “American Primeval,” written by “The Revenant” scribe Mark. L. Smith, audiences are thrust into the viciousness of the American West, specifically the Utah Territory in 1857.

Peter Berg directs an epic six-part drama about the Mountain Meadows Massacre of 1857, in which more than 100 settlers were murdered by militant Mormons.